All Crew Agency

Los Angeles | London

phone: 1+818-206-0144

fax: 1+818-206-0169

skype: allcrew

aim: allcrewLA

email: crew@allcrewagency.com

in the UK

Screen Talent Agency

phone: 020 7729 7477

mobile: 07836 210926

email: Screen Talent UK

web: www.screen-talent.com

Production Sound Mixers

Beau Baker

television – Grey's Anatomy, House, M.D., Angel: The Series, Drive,

    Tales From the Crypt (Winner, Golden Reel, Best Sound Mixer)

features – (as boom operator) Town & Country, Twister (Oscar Nominee), Blade Runner,

    Ladyhawke (Oscar Nominee)

 CAS, IATSE local #695

 

With a degree from the renowned USC School of Cinema, Beau Baker has over 25 years in production sound recording. He has traveled worldwide on such films as Ladyhawke, nominated for a Best Sound Academy Award, and all over the US with over 30 features to his credit, including Twister, Blade Runner, and Cruel Intentions. He has over 200 episodes of network television productions. Baker brings to the set good humor, and enough experience to handle the most difficult sound situations with grace and speed. With his current crew, he brings almost 75 years of experience to the set. Beau is available for work worldwide.

Tim Cooney

features – Three Days To Vegas, Beauty Shop, The Punisher, The Salton Sea, Lethal Weapon 4, We Were Soldiers, Demolition Man, Cliffhanger, Die Hard 2
television – Sons of Anarchy, The Shield, Raines, South of Sunset, Noriega, Murder She Wrote, Magnum P.I.
AMPAS, ATAS, CAS, IATSE local #695

A graduate of the Ringling Brothers Barnum and Bailey Clown College, Tim Cooney became a sought after elephant trainer for several circuses and the St. Louis Zoo. This led him to an elephant training career in Hollywood, where he was able to pursue another passion – production sound work. Starting as a boom man at Universal, Tim mixed his first studio picture for Columbia in 1981. Well respected in his field, Cooney’s attention to quality and budget has resulted in nominations for an Oscar™, three Emmys, two Cinema Audio Society awards and three Golden Reels. He won a Golden Reel for best sound in 2000. Based in Los Angeles and able to work in New Mexico as a local, Tim comes with a complete state-of-the art sound package, holds a current passport and is available for work worldwide.

Michael Hoffman

features – Taxi, The Dying Gaul, Men of War, L. A. Blues
television – Beverly Hills, 90210, The Studio, Hawaii, The Closer, The OC

CAS, IATSE local #695

Michael Hoffman began his career mixing a low budget horror movie and has since progressed through virtually every aspect of recorded sound for picture. After working in his hometown of Chicago shooting commercials for clients like Sears, McDonalds, Buick and Miller (recording with legendary directors such as Joe Sedelmaier, Joe Pitka and Bob Giraldi), Hoffman moved to Hawaii in 1994 and into long form projects. He followed that with a five-year stint in Hong Kong, which included work on several Hong Kong cinema classics and experience in Mainland China. Now based in Los Angeles, Hoffman comes with a complete sound package, which includes the latest in digital and wireless technology. He is a member the Cinema Audio Society (CAS) and the UK based Institute of Broadcast Sound (IBS). Michael is available for work worldwide.

Darin Knight

features: The Mod Squad, Hocus Focus, Sister Act, Father of the Bride, Scarface, The Deer Hunter (Academy Award)

television: My Name Is Earl, Andy Richter, Summerland, X-Files, St. Elsewhere

CAS, IATSE local #695

Kim Ornitz

features – Crazy On The Outside, School For Scoundrels, Looking For Comedy In The Muslim World, After Sunset, Rush Hour 1 & 2

television – 12 Miles Of Bad Road, Women's Murder Club, 3 lbs., Medium, The Incident

CAS, IATSE local #695 & #52

 

With a writer for his grandfather, and a DP as dad, Kim Ornitz did what many boys dreamed of doing: working in rock and roll! He started at the Record Plant, learning how to run a studio board with legends such as Hendrix and Clapton. After working at A&R Studios and Electric Lady, Ornitz moved onto London and producing music for Motown Records. In 1977 he decided to try his skills at film recording and has never looked back. After 10 years of location mixing in NYC, Kim moved to LA and quickly established himself as a mixer who could catch the nuances of dialogue that producers and directors hoped for but rarely ever received. His can do attitude and amazing abilities has brought him repeat clientele and a long list of references. Kim has never stopped enjoying the challenge of recording audio for film and TV. Ornitz is available for work worldwide.

Phillip W. Palmer

features – Angels & Demons (2nd unit), Star Trek (2nd unit), National Treasure II (2nd unit), Hostage, Shackles, Bewitched (2nd unit), Taxi, Species III, Dahmer

television – Glee, Swingtown, Jericho, Medium, Threshold, Entourage, She Spies

CAS, IATSE local #695

 

With a degree in Film and TV production from Southern Methodist University, Phillip Palmer quickly became an indispensable boom operator for mixers such as Peter J. Devlin, Robert Allan Wald, and Tom Nelson. In 1999 Palmer began his own mixing career and has since established himself as one of the premiere mixers in film and TV. Phillip, a resident of Los Angeles, also has residency in Vancouver, Canada. Owning a state of the art digital equipment package, and the support of top-notch crew, Palmer is available for work worldwide.

Scott D. Stolz

features - Shrink, Roman Polanski: Wanted & Desired, An American Crime; (as 2nd unit mixer): The Vampire's Assistant, Hotel For Dogs, War of the Worlds

television - Heroes, Grey's Anatomy, The O.C., The E Ring, Heist

CAS, IATSE local #695

 

Being the ‘go to guy’ for Hollywood’s premiere sound mixers puts Scott Stolz in an enviable position. With a degree in Electronic Media from the University of Cincinnati, Stolz has over 15 years experience as a Production Sound Mixer. Over the years mixers and producers have learned to depend on Scott to get the tracks quickly and cleanly while remaining pleasant in the process. They know he’ll be well prepared and bring an upbeat, positive attitude to his job. Scott’s work, utilizing state-of-the-art sound equipment including the coveted Sonosax SX-ST8D mixing panel, has garnered him an Emmy Award for Best Sound. Whether it is a straightforward TV series or a complicated multi-camera 2nd unit, producers can count on Stolz’s seamless ability to get the job done.