Los Angeles | London
phone: +1 818-206-0144
fax: +1 818-206-0169
Production Sound Mixers
television - American Horror Story "Roanoke", Big Little Lies, The Player, Nanny Cam
feature - The Diggers, Miss Stevens, The Neon Demon
IATSE Local #695
Sean Byrnes has been working in the entertainment industry since he was a kid. As the son of a writer (Gunsmoke among many others), Byrnes knew he wanted to be in the industry and started at the bottom, including seven years as an episodic TV production coordinator. Having a passion for the technical side of production, he transitioned to the Sound Department, working as Utility and Boom Operator, advancing his way to Sound Mixer in a short period of time. Sean’s great ability to deliver the cleanest tracks possible, while being the nicest guy possible, has led to numerous projects and repeat work with producers. Sean is based in Los Angeles and willing to travel. An equipment inventory is available upon request.
feature - Soy Nero, The Craigslist Killer, Whiteout (LA unit), Yonkers Joe, Gattaca, The Lost City,
The Fabulous Baker Boys (BAFTA winner)
television - Supergirl, The Shield, Point of Origin, Ali: An American Hero, The Highwayman
IATSE Local #695
Quiet, unassuming and passionately professional in creating the best possible soundtracks describes Stephan von Hase. Using the latest technologies (von Hase pioneered one of the first multi-track location recorders,) Stephan brings the director’s vision to sound. Born in Germany, Stephan has both a US and German passport and maintains full equipment packages in both the US and the EU, a substantial savings for any production. Speaking fluent English, Spanish and German, Stephan is based in Los Angeles and available for work worldwide with complete audio packages located in both North America and Europe.
television - Grandfathered, Marco Polo, Family Tools, Criminal Minds: Suspect Behavior, Heroes
feature - Beauty in the Broken, The Cottage, Nic & Tristan go Mega Dega
IATSE Local #695
With a love of cinema, Jaya Jayaraja always knew he’d end up working in film and TV. He started out as a cable person, advanced to boom operator and ultimately gained the mixer’s seat. Easy going and quick to laugh but with a stern work ethic that delivers clean clear tracks no matter the environment. Jaya has mixed for directors including Joachim Ronning, Espen Sandberg, Randall Zisk, Mark Tinker, Beth Mccarthy-Miller, Michael Spiller, and John Badham. Director's vision and story come first, and he understands the importance of staying in tune with production and one step ahead of camera. Totally in sync with the bottom line, he is acutely aware how to make it work within the confines of a budget while utilizing state of the art digital equipment. Jaya is based in Los Angeles and available for work worldwide.
television - The Middle, Weeds, Brothers & Sisters, Prison Break, Knight Rider (pilot),
Monk, NYPD Blue
features - Gulliver's Travels (LA unit), Crazy People, Flight of the Intruder,
Red Dawn, Uncommon Valor
AMPAS, ATAS, CAS, IATSE local #695
Joe has eleven Emmy nominations, with four Emmy wins and is native to Los Angeles. He is available for work worldwide with over 35 features and 400 episodes to his credit. He brings vast experience, adaptability, attention to detail with an always-congenial crew ready to provide state-of the art sound mixing. Joe began his career repairing sound equipment at Columbia Pictures before moving into production sound where he can be counted on to deliver whatever post medium requirements in the latest and greatest technology from compact flash to DVD’s with hard drive back up. A cast and crew favorite utilizing the most technologically advanced sound equipment, he prefers to fly under the radar letting the caliber of his work speak for itself, and is asked back season after season providing excellence in sound with a smile.
television- Perception, Glory Daze, Numb3rs, Boston Legal, The Practice
features - Lucky Stiff, The Muppets (2nd unit), Father's Day, Executive Decision, Free Willy
CAS, IATSE local #695
The entertainment business runs through Clark King’s blood. His grandfather was an established actor in many films; his stepfather was an ASC Lifetime Achievement Award winning DP and his father started as a stuntman before switching to the less painful profession of sound. Growing up around sound stages, King started his career at a young age in post and production sound after competing as an Olympic speed skater. With thirty years of mixing production sound (and seven Emmy Nominations and two wins) there isn’t anything Clark can’t handle. Clark is based in Los Angeles but happy to travel anywhere.
features - Shrink, Roman Polanski: Wanted & Desired, An American Crime;
(as 2nd unit mixer): The Vampire's Assistant, Hotel For Dogs, War of the Worlds
television - The Event, Heroes, Grey's Anatomy, The O.C., The E Ring, Heist
CAS, IATSE local #695
Being the ‘go to guy’ for Hollywood’s premiere sound mixers puts Scott Stolz in an enviable position. With a degree in Electronic Media from the University of Cincinnati, Stolz has over 15 years experience as a Production Sound Mixer. Over the years mixers and producers have learned to depend on Scott to get the tracks quickly and cleanly while remaining pleasant in the process. They know he’ll be well prepared and bring an upbeat, positive attitude to his job. Scott’s work, utilizing state-of-the-art sound equipment including the coveted Sonosax SX-ST8D mixing panel, has garnered him an Emmy Award for Best Sound. Whether it is a straightforward TV series or a complicated multi-camera 2nd unit, producers can count on Stolz’s seamless ability to get the job done.