All Crew Agency
Los Angeles | London
- Download Rosters
phone: 1+818-206-0144
fax: 1+818-206-0169
skype: allcrew
aim: allcrewLA
email: crew@allcrewagency.com
Producers
Tim Berry
television (pilot & series) - Becker, Union Square, Chicago Sons, Cheers
Directors Guild of America, Producers Guild of America
Beginning as a CBS page on the Mary Tyler Moore show, Tim Berry knew immediately which job he’d attain. From that modest beginning, Berry went on to become the producer of such network hits as Cheers and Becker and put his expertise to work on numerous pilots and series. Personable, friendly and thorough, Tim intimately knows the details necessary to please cast, crew, executives and the studios while keeping a production running smoothly, on time and on budget. Berry is well versed in postproduction systems and, just in case, is an active member of a Search and Rescue Team! Tim is available for work worldwide.
Randy Carter
television – Becker, Seinfeld, Dear John, Laurel Avenue, Monk
Randy Carter is one of the most experienced Assistant Directors currently working in feature films and television. A key assistant to Francis Ford Coppola during the history making creation of American Zoetrope, he has production experience on some of the greatest motion pictures of all time (Apocalypse Now, The Godfather Part II, The Blues Bros). Working for every major studio and a host of independents, he is equally at home with thousands of extras, car stunts at 110 mph or a quiet comedy vignette with Jerry Seinfeld. A valuable on-set presence, he knows how to get the work done and deliver the page count. More importantly, Carter knows production value and how to get it on the screen.
Carrie Lynn Certa
television – America's Next Top Model, Bridezilla, Man Hunt, Live Like a Star, Miss America, Target Audience, Bit Parts
Carrie Lynn Certa’s early love for theater has blossomed into a passion for producing. Always a “hands on person,” Certa has worked most every job on a film set. With experience as a production coordinator, associate producer, a field producer on reality TV, and a line producer for independent films, Carrie has handled numerous projects on 35mm, s16mm, HD and video. It is this deep pool of knowledge that makes her a perfect choice as a Unit Production Manager. She knows how to organize and lead a company to achieve the highest production quality. Carrie excels on location and is available for work worldwide.
Sarah J. Donohue
webisodes – 30 Days of Night-Dust To Dust, 30 Days of Night-Blood Trails
features – The Canyon, My Suicide, Sinner, Big Bad Wolf, Hatchet, Open Window
Sarah J. Donohue, a classically trained musician, came to film production while still in college. After a stint with ABC Television in New York, Sarah arrived in LA as a production coordinator and her hard work, can-do attitude and people skills quickly came to the attention of independent producers. After 15 features in 4 years, Sarah made the jump to line producer. Donohue believes one of her most important roles is bridging the gap between the above and below the line personnel and enabling them to function as a team under financial constraints. Sarah can work as a local in Boston, New York or Los Angeles and has been on location across the United States.
Aimée Flaherty
features - Five Star Day, Sutures, 7/10 Split, Little Hercules in 3-D; This Is It (as production supervisor, 3-D portion)
Experienced, enthusiastic and competent are just a few adjectives that come to mind when producers and directors think of Aimée Flaherty. As Tammi Sutton (Sutures) commented: “Her commitment to this film has made it possible for another independent film to be completed on time and on budget.” Growing up in New Jersey, Aimée was introduced to filmmaking helping on a short. With a film degree from Emerson College and study abroad at Prague’s FAMU, Flaherty arrived in Los Angeles and was quickly hired in development at Warner Bros. She then moved to 20th Century Fox as a post-production coordinator where working on films ranging from Moulin Rouge to 28 Days Later, taught the intricacies of post and how pre-production decisions affect the final results. With more than a decade of experience in both studio and independent film, Aimée is ready to create cost effective, yet compelling projects. Based in Los Angeles, she is available for work worldwide.
Michael Huens
features – California Indian, Jackpot, Crazy as Hell, A Thousand Roads, Carrie’s Choice
commercials – INTEL “Evita” & “Santiago”, PEPSI "Carmen" , Movado Watches
Christopher Landry
Christopher began his career at the BBC in London as Assistant Floor Manager working on various classic and Shakespearean productions. Back in his native US, Christopher worked on numerous studio and independent features under such directors as Reny Harlin, Oliver Stone, Barry Levinson and David Lynch. Since then, he has since worked on over sixty pictures as Line Producer, Second Unit Director and/or A.D. Christopher is based in Eastern Europe.
Edward Licht
features – Leonie, Silk, Shutter, The Ramen Girl, The Last Samurai, The Southlander, Mission To Mars
commercials – Honda, Acura, Coke, Asahi Superdry, Yokohama Tire, Toyota, Michelin Tires
Directors Guild of America
An interest in traditional Japanese theater brought Ed Licht to Japan shortly after graduating from Boston University. After a few years working in Japanese theater and television, Ed returned to Los Angeles fully fluent in Japanese. Ed prides himself on keeping the set organized but with a good working environment. Keeping the information flowing between the departments eliminates the need for the last minute scramble and panic. Ed has worked all over the world, most of the US, and spent quite a bit of time working in LA as well. Ed has worked in locations from the North Pole to Peru, Argentina, Mexico, Japan, Jordan and Canada. He has extensive experience with SPFX, digital effects, auto shoots and aerial photography. Ed is available for work worldwide.
Byron A. Martin
features - Resident Evil: Afterlife [3D], Phantom Punch, American Pie Beta House & The Naked Mile, Wild Cherry, Land of the Dead, Save the Last Dance 2, Chronicles of Riddick
television - Partners and Crime, Street Time, Odyssey 5
Directors Guild of Canada
Byron has over 30 credits as a Location / Unit Manager on projects including X-Men, Driven, Simon Birch and The Ref while working with many prestigious producers such as Lauren Shuler Donner, Ralph Winter, Raffaella De Laurentiis, Dick Wolf, Laurence Mark, John Singleton, Sam Raimi and Jerry Bruckheimer. In addition, he has produced almost 30 hours of television, shooting projects in Canada, the U.S., Israel and in China.
Justin Moritt
Directors Guild of America
The first set Justin Moritt worked on was Oliver Stone’s Wall Street. His quick wit, warm personality and attention to detail quickly led him to work as an AD for James Foley (Glengarry Glen Ross & Two Bits), Woody Allen (Husbands and Wives); Philip Noyce (Sliver) and Ron Underwood. Snatched by Paramount’s Senior V.P. of Production Mike Tadross, Moritt quickly demonstrated his skills as production manager on a variety of studio films. Directors, Producers and Execs recognize how much Justin brings to each project; one reason Producer/Director/Star Tim Allen chose Justin to Executive Produce Allen’s first film. From studio films to independents, Justin Moritt is an asset to every project. He’s based in Los Angeles and available for work worldwide.
Roger Pugliese
Roger Pugliese loves what he does. Experience and expertise gained from years of working on Features, Television and Commercials as an AD/Production Mgr., Line Producer/Producer has gained him a through knowledge of all aspects of filmmaking. It’s sharpened his ability and sensitivity to effectively work with a large variety of creative people and crews from this and other countries.
Often called upon for his development and budgeting skills in both high and low budget films, he is also well versed in the new film technology and digital media used in post production. Roger also teaches a graduate level production course at the University of Southern California.
Understanding the importance of supporting and energizing a film’s creative vision under the constraints of financial guidelines, he has a unique ability to harmonize the two. Known for his upbeat attitude and ability to get along with people, he establishes a firm but gentle authority and works to create a good team spirit on the set.
Daniel Sollinger
features – Day Zero, The Alphabet Killer, Dot.Kill, Age of Kali, Rhyme & Reason, Rocksteady, In My Sleep
commercials/promo –Pepsi, Prada, The Daily Show, The Guiding Light
Directors Guild of America
With a degree from the prestigious New York University Film School, Daniel Sollinger has produced more than 350 commercials, music videos and shorts for a broad spectrum of clients, including Pepsi, Warner Brothers Records, CBS, Sony and Comedy Central. His first venture in features with director Peter Spirer was the hit Rhyme & Reason. From there, Sollinger went on to serve as executive producer on Six Ways to Sunday and produced Love Goggles and the NYC unit of Dot.Kill. Daniel is available for work worldwide.
Marvin G. Towns, Jr.
Directors Guild of America
Marvin Towns was introduced to the film business though his friendship with Muhammad Ali, first working as an assistant on Freedom Road. His next gig was on The Blues Brothers and he hasn’t looked back. Towns’ production skills have been honed through years of working on big studio films, TV shows and small independent features. Working his way up through the DGA from 2nd AD to UPM, he now works for some of the most experienced producers and directors in the business today. Marvin’s strengths are his ability to be the “go to” guy for producers, talent, crew members, unions, guilds and vendors keeping in mind that his job one is bringing the project in on time and on budget with the least conflict possible while keeping a cool head! Through commercial jobs and his creation of the Concours d’Elegance at Cranbrook and the Detroit Festival of Speed and Style, Towns is a friend with leading executives from GM and Chrysler (which has come in handy on feature film logistics!) Based in Detroit, Marvin is well connected in the Michigan film community and is available for work worldwide.
Randy Turrow
Producers Guild of America / Directors Guild of America
Beginning his career in the ubiquitous ‘mail room’ of International Creative Management (ICM), Randolf ‘Randy’ Turrow has gone on to be recognized by his peers as an outstanding film producer. From producing Adam Sandler’s first feature to MTV’s #1 music videos, Turrow has demonstrated his ability to manage complex projects, stay on budget and maintain a pleasant work environment. His early work at the visual effects/CGI firm, Shockwave, included projects such as Titanic and Starship Troopers and Turrow learned the technical background necessary to manage effects heavy productions. A creator of forward thinking financing and incentives plans, Turrow has also produced small independent films. Randy has given heartily to our industry: as a member of the DGA Western Council, Chair of the DGA UPM/AD Mentor Committee, active on the Visual Effects Committee and a previous winner of the DGA’s Council Award for Special Service. He also serves, on the Producers Guild’s FilmUSA Committee. Based in Los Angeles, Randy is available for work worldwide.
Michael R. Williams
Having Line-Produced and Production Managed numerous feature films over the past decade, Michael R. Williams has experience in nearly every form of production. His resume includes low budget studio features, independent films, animation and digital media. Williams got his start as an intern at Paramount Pictures after graduating from Loyola Marymount University with a BA in Film Production. He worked his way up from Production Assistant to Producer, working as a cinematographer, editor and assistant director along the way. During this time, he worked under the tutelage of many old-school producers where Williams learned the ropes of budgeting and scheduling feature films. Michael actually produced his first short film when he was still in high school, winning a state film award his first time out of the gate. Williams has worked with directors such as Adam Goldberg, Zach Braff, John Waters, Larry Clark, Jonas Åkerlund, Abel Ferrara, Don Murphy, Charles Winkler and Alejandro González Iñárritu.