All Crew Agency

Los Angeles | London

phone: 1+818-206-0144

fax: 1+818-206-0169

skype: allcrew

aim: allcrewLA

email: crew@allcrewagency.com

in the UK

Screen Talent Agency

phone: 020 7729 7477

mobile: 07836 210926

email: Screen Talent UK

web: www.screen-talent.com

Script Supervisors

Towie Bixby

features – Knife To A Gunfight, Highway 191, Brother's Keeper

commercials – Fox Sports, Lowe's Stores, Oakland A's, Harley Davidson, Bud Light, XM Radio

Towie Bixby is proficient as Script Supervisor with the #1 Best Seller "ScriptE" laptop supervising program, along with interconnected capabilities using "EP Scheduling" & "Final Draft". She is ready to jump in "computer style-new school" or "guerrilla- old school". Her top training with the industries most experienced script supervisors (including Jim Kelly Durgin), has given her the ability to effectively fill her role.  Towie's eye for detail, screen direction, and her cheerful disposition are an asset for any director. Growing up as an actor in features, television and commercials, has taught her the importance of continuity and sharpened her ability to effectively communicate the essentials to the director as well as be an asset in delivering the information most needed to the editor. Towie’s hard work, energy, and diligent attitude, has been quoted to be a delight for producers and directors.

Pauline Gray

features - Sarah Silverman: Jesus is Magic, Ava, Frankie and Johnny are Married (add'l 1st unit)

television - Pushing Daisies, Dirt Squirrel, American Family

commercials - Lexus, BMW, Nissan, Apple Computers, American Express, Toyota, Kellogg's

 

IATSE  local #871


A Brooklyn native (no accent), street smart but set-savvy Pauline Gray is a treasure to have on your team. With twelve years in the business, Pauline’s thorough understanding of what goes on behind and in front of the camera allowed her to seamlessly transition from production to script supervisor. Ever flexible, she works on film, television and commercials, specializing in visual effects. All of Pauline’s work is completed electronically – an asset that draws continuous praise from producers and editors. Pauline has lived in South America and Europe and is available for work worldwide.

Jill Gurr

features:  Old Gringo, My Family, Mi Familia, Menace II Society

commercials: Allstate (Spanish), American Express, AT&T (Spanish), Miller Lite (Spanish), Toyota (French/Spanish)  

 

IATSE local #871

20 years experience - Taught Advanced Script Supervising
Speaks, reads and writes SPANISH, FRENCH and ITALIAN

Kelly Kelley

feature – Saarthi (US crew), Touchwood, Lie To Me, Mate, Her Best Move

commercials – Levis, California Lottery, Movietickets.com, X Box 360

IATSE local #871

 

Diligent, accurate, energetic and fun to work with… what more could you ask for in a script supervisor? How about years of experience, a background in film editing (trained at Industrial Light & Magic) and work as a stage manager? Kelly Kelley has the above and more. After graduating from UC Berkeley, she worked for the Berkeley Repertory Theater, the San Francisco Ballet and as a personal assistance for Robin Williams before learning the art of editing. But the lure of fresh air, daylight and production brought her to her senses and Producers, Directors and DP’s have been grateful ever since. Kelly is available for work worldwide.

Beth Multer

features – My Suicide, Nothing Special, The Tenants, May, Love Is The Drug, Wristcutters
commercials – NBC Olympics, Pet Fish, Stockcross, Exxon/Mobil, Holiday Inn Express

Script supervising since 1999, Beth Multer has been on sets through the transition from 16 and 35mm to HD, DV and the RED camera and is fluent in all formats. She has worked numerous multi-camera shoots and enjoys working on projects with VFX, green screen, stunt and wire work. As an instructor at the London Film School, she has created and run weekend workshops training participants in the art and craft of Script Supervision and Continuity for Film and Television.

Bruce Resnik

features – Heavens Fall, Lethal Eviction, Edmond, Red Line
television – Even Stevens, Mary’s Christmas, Flight 93, Watch Over Me

IATSE local #871

Bruce Resnik’s attention to detail evolved from his early work as an Equity stage manager of regional and touring theatres. It was here that Bruce perfected his skills and learned how to work with actors and directors. For over eight years Bruce has handled script duties on features, TV and commercials and is highly sought after by directors with whom he has worked. Totally comfortable with computers, he uses his for digital image capture and creates a full digital work flow.  Based in Los Angeles, Bruce is available worldwide.

Sanford 'Sandy' Schklair

features - War, Inc., El Dorado, Thick as Thieves, The Devil's Rejects, Cromiumblue.com

television - 24, Close To Home, Point Pleasant, Chicago Hope, The Nanny

IATSE local #871

Seventeen years ago, a medical professional in Chicago realized he didn’t love his career. Eleven years of college and three degrees weren’t enough satisfaction so Sandy Schklair moved to Hollywood, trained as a script supervisor and has loved every day on the job since. Directors are impressed with his abilities in observation, his knowledge of how shots will cut together and his understanding that story and performance are key. Schklair is steady under pressure and flexible in his approach, the goal being to integrate well with all the cast and crew in order to bring the director’s vision to reality. He’s a patient, respectful team player with a positive attitude and great bedside manners. Directors and producers alike continue to ask for Sandy.  Hire him and you will know why they continue to take him along worldwide.

Beth A. Smith

features – Dead of Night, The Last Kiss (2nd Unit), Justice, Here On Earth

commercials - Sun Country, PBS Nova, NBA, Motorola, Northwest Airlines

For over 15 years, a first choice for script supervision among commercial directors, producers and clients has been Beth Smith. Her accurate observations, excellent screen direction sense, detailed notes, positive attitude and downright great personality have made Beth their favorite. Commercials aren’t her only skill, and filmmakers have taken Beth on features and television projects from Minneapolis to Chicago, Milwaukee and Jamaica.